developed by letting pools of saturated pigments dry on toned paper. textured sediment left behind is intense in chroma, resemble the surface of the moon or boundaries of land masses one might see on the earth as captured by distant satellites. i then use these as ‘maps’ to layer additional drawing and bas-relief elements. deep ocean series and sky atlas : nebular formations series are developed in similar ways, while they are in a sense inversions of each other. deep ocean was driven by an interest in the availability of light and color in in complete darkness of the deep ocean, specifically bioluminescence. sky atlas: nebular formations explores the mosaic of the galaxy and all its kaleidoscopic spaces.